Fleur Webb 
Embroidery
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The Midnight Zone
Artist's Statement
About me!
CV
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Fleur Webb 
Embroidery
Home
The Midnight Zone
Artist's Statement
About me!
CV
Contact me
More
  • Home
  • The Midnight Zone
  • Artist's Statement
  • About me!
  • CV
  • Contact me
  • Home
  • The Midnight Zone
  • Artist's Statement
  • About me!
  • CV
  • Contact me

Mixed media hand embroiderer

Mixed media hand embroidererMixed media hand embroidererMixed media hand embroiderer
Explore Now

Mixed media hand embroiderer

Mixed media hand embroidererMixed media hand embroidererMixed media hand embroiderer
Explore Now

The Midnight Zone

Thalassophobia, Fleur Webb, 2024, Image credit: Tas Kyprianou.

    Artist's statement

    The Midnight Zone is the latest collection of wearable art created by mixed media hand embroidery artist Fleur Webb. She has drawn inspiration from the deep sea, specifically the Midnight Zone or the Bathypelagic layer which lays at 1,000-4,000 meters below the surface. For this collection Fleur has been heavily concept led, with the determination of materials and processes being finalised through sampling and drawing the creatures of the deep.


    The mysteries of the ocean are of great fascination to Fleur. This began with the perplexing realisation that only 5% of this vast expanse has been discovered, meaning we know more about deep space than we do about the deep sea. This body of work is influenced by the danger and beauty the creatures of the Midnight Zone present and the harsh, cold and dark environment it provides for those creatures. Furthermore, she has been drawn to the bioluminescence that these creatures have been forced to evolve. 

      

    Her processes and methodology stems from the use of her own handmade materials which can be seen in her centre piece of wearable art, Thalassophobia. These include making fluorescent beads imitating and representing the bioluminescent creatures of the Midnight Zone and the melted vinyl sequins hand cut for an organic finish, correlating with the textures of this oceanic layer. These are then applied with the haute couture hand embroidery method of tambour. The metal embroidery of goldwork traditionally used in royal and high-status stitchery is also at the forefront of this body of work, as it further contributes to the qualities of the deep.

      

    Fleur’s aim for this collection was to produce a highly detailed piece of wearable art which radiates beauty but invokes a sense of danger and intimidation in the viewer; she would like them to react how she did while researching and drawing these breath-taking creatures: with awe and a hint of unease toward their alien-like nature. She has developed a passion for wearable art through costume, not just for the screen or theatre but for the red carpet. It has become clear to her through the creation of this incredibly intricate piece, that costume, fashion and wearable art can be one and the same.


    Thalassophobia is the fear of deep water.

    About me!

    Image credit: Tas Kyprianou

    For as long as I can remember, my practice has explored contrasting elements of beauty, femininity and vulgarity. I like to delve into the contemporary and controversial with keen interest and enthusiasm often conducting social commentary through my stitching.

    I established these beliefs on the grounds of rebelling against traditional beauty standards asking the question: who truly defines what is beautiful or vulgar? Beauty is in the eye of the beholder and vulgarity is no different. I gain an amount of satisfaction in attempting to advocate, radiate and create both beauty and vulgarity in the way I know best: through hand embroidery. 

    Embroidering beautifully meaningful pieces with a balance of both physical and internal beauty is where you’ll find me at my happiest. My inspiration derives from nature and the organic forms it provides in both botanical and human anatomy, combined with otherworldly surrealism. This influence is credited to my connection with the natural world through my hometown in the New Forest, Hampshire; where both sea and earth collide. 

      

    My art commonly raise questions and invite discussion, subtly conveying my own opinions, however I want my audience to have their own views and decide for themselves where their judgement lies. 

    Whilst studying at the Royal School of Needlework I have gained significant experience through work placements and live projects with external artists. This includes working with theatrical costume supplier Cosprop, Neil Musson and Jono Retallick, ERDEM, Alexander McQueen and King Charles III’s Coronation.


    Above: artist portrait, Fleur Webb, 2024, image credit: Tas Kyprianou

    Below left: artist portrait, Fleur Webb, 2008, image credit: Diana Walker

    Artist portrait, Fleur Webb, 2008, photographed by Diana Walker.

    Industry & work experience

    Cataloguer and recorder for Hampshire Cultural Trust (February 2025 - present)

    Recording historic costume and textiles on Modes software, including condition and location checks.

    Hand embroiderer for ERDEM S/S 2024 collection for London Fashion Week 2023, ERDEM Atelier, London

    Hand embroidery using crystals and beads in specified colours and sizes onto pre-made garments alongside a team of embroiderers.

    Cataloguer and photographer for Cosprop, at the studio annex, London (June 2023)

    Catalogued, recorded, and photographed the historic garments and accessories of the John Bright Collection.

    Anointing Screen for the Coronation of King Charles III (May 2023)

    Contributed to the collective embroidery project, by the Royal School of Needlework’s Embroidery Studio, for the Anointing Screen for the Coronation of King Charles III, Royal School of Needlework.

    Working with Maddux Creative and Fromental on WOW! House exhibition, Chelsea Design Centre, (April -

    Hand, needle and wet felting, hand embroidering with specified stitches and colour palette.

    PJ Harvey’s Orlam dress, at the Royal School of Needlework (April 2022)

    Hand Embroidering a moth motif using requested stitches, onto sheer, organdie fabric.

    Collaborating with artist Kirstie Macleod on The Red Dress Project, (February 2022)

    Hand embroidering a personal motif onto an existing garment for a global project spanning 51 countries and 380 embroiderers.

    Live projects

    Ruben Montini’s Altarpieces, Hampton Court Palace (January 2024)

    Part of team hand embroidery and appliqué of letters, layering fabric and stitch onto compositional formats defined by Montini.

    Collaborating with the Alexander McQueen Embroidery Team (February 2023)

    Collection of hand embroidered samples, drawings and designs inspired by Victorian Arsenic poisoning, conforming to a set brief requesting unexpected and unconventional concepts held to a polished and professional standard.

    Collaborating with artist Susan Aldworth (December 2022 - February 2023)

    Hand embroidering a section of artist’s personal story onto a Victorian lace gown. As part of BELONGINGS exhibition, formally Exile: Sono Oriunda I am of Italian Descent.

    The Worshipful Company of Glovers of London Glove Competition 2022 (February – March 2022)

    A pair of gloves designed based off the 18th century portrait of heiress Dido Elizabeth Belle Lindsay accompanied by a corresponding hand embroidered sample.

    Collaborating with Neil Musson and Jono Retallick on Fields of EveryWhen (February 2022)

    Translating a voice recording of a true story told by a resident of Thamesmead London into a hand embroidered piece of textile art. This was then professionally photographed and printed onto a hot air balloon and flown for the first time over Thamesmead in the Summer of 2022.

    Awards

    The Worshipful Company of Gold and Silver Wyre Drawers Associate Award runner up (2024)

    In association with Hand and Lock's Prize for Embroidery, awarded for hand embroidered wearable art piece, Thalassophobia.

    Bradford Textile Society Design Competition, 3rd place in Combined Textile Processes category (2024)

    The Clothworkers’ Company Award for a fabric for either fashion or interiors which shows an innovative combination of textile processes.

    Mr X Stitch Student Needlework Prize, 2nd place in 3D Textiles category (2024)

    Awarded for mixed media hand embroidered sample and design, Pystri. 

    Ted Marsh Memorial Award for best work by an artist aged 18-21, Lymington, Hampshire (2021)

    Awarded for hand embroidered textile art piece, M’Lady’s Garden. 

    Exhibitions & Press

    Hand and Lock The Prize for Embroidery, Gallery Rosenfeld, London (November 2024)

    One of Twenty-four finalists for Hand and Lock's Prize for Embroidery, exhibiting Thalassophobia, a hand embroidered piece of wearable, as part of my collection The Midnight Zone.

    New Designers Week 1, Business Design Centre, London (June 2024)

    Showcasing hand embroidery based body of work titled The Midnight Zone.

    Graduate Fashion Week, The Truman Brewery, London (June 2024)

    Showcasing hand embroidery based body of work titled The Midnight Zone.

    Royal School of Needlework Degree Show 2024, Hampton Court Palace, Greater London (June 2024)

    Showcasing hand embroidery based body of work titled The Midnight Zone.

    Featured on BBC London in association with Fields of EveryWhen (August 2022)

    Hand embroidered translation of an audio file story from a Thamesmead resident, printed onto a hot air balloon flown in Thamesmead.

    Exile: Sono Oriunda (I am of Italian descent), The Hub, Lincolnshire (May - July 2023)

    Hand embroidered Victorian lace gown featuring crewel work and gold work embroidery, in collaboration with artist Susan Aldworth and the Royal School of Needlework. Exhibited at The National Centre for Craft and Design.

    BELONGINGS, The Arcade, Bush House, King’s College, London (October – November 2024)

    Hand embroidered Victorian lace gown featuring crewel work and gold work embroidery, in collaboration with artist Susan Aldworth and the Royal School of Needlework. Displayed previously at The Hub, Lincolnshire.

    Open Exhibition, St Barbe Museum & Art Gallery, Lymington, Hampshire (May – June 2021)

    Exhibiting hand embroidered textile art piece, M’Lady’s Garden.

    Contact

    fleurwebbembroidery@hotmail.com

    Drop me a line!

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    All photographs and images are my own unless stated otherwise. Copyright © 2024 Fleur Webb Embroidery - All Rights Reserved.


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